CAROLINECOON
Caroline Coon, the London born artist, has worked in the vanguard of cultural movements that have caused storms of social change: the hippie 'peace and love' underground, second-wave feminism and punk rock.
By the time Coon left
art school in 1968 figurative painting was deemed 'dead', but she avoided
fashion and 'cool' and continued to work figuratively in oils on canvas
with a brush. She was not interested in painting in new ways or working
with 'new' materials but in seeing and interpreting the world anew. Her
painting is 'hot', usually structured around narrative and imprinted by Pop Art, Feminist Art and the politics of sexual liberation. In contrast to society's acceptance
of the female nude, Coon's honest depiction of the male nude has been
considered shocking - in 1995 the Tate Gallery banned her 'Mr Olympia'
painting because it showed an erect penis. Recently Coon has been painting
her Ladbroke Grove neighborhood in a series of narrative urban landscapes,
including 'The Brothel Series'.
CUNST ART. Cunst Art is the ongoing feminist art/performance project publishing provocative art-errorist THORNS, most recently 'The Woman=Whore Questionnaire', 'Black is Gay', 'Abort The Pope', 'It Is Women's Duty And Right To Hate Religion' and 'Burka - Swastika = Fascist Signs'.
The Cunst Art pamphlet 'Calling Women Whores Lets Rapists Go Free' by Caroline Coon and barrister Amber Marks sets out the urgent need to legalise prostitution.
Punk Rock. Caroline Coon's design work can be seen in the make-up and style of The Stains and the musicians in the cult film that influenced the 1990’s Riot Grrrl movement, ‘Ladies and Gentlemen, The Fabulous Stains’ (Paramount 1982) on which she worked as special consultant. She designed the Global Revolution poster for The Clash second album 'Give 'em Enough Rope' (CBS 1978). Coon's photographs are published around the world and her sleeve covers include The Clash's first hit single 'White Riot' (CBS 1977), The Police's first hit single 'Roxanne' (A&M 1978) and Babyshambles 'Janie Jones/Strummerville' (B-Unique Records 2006). '1988: the New Wave Punk Rock Explosion' by Caroline Coon (Omnibus Press edition published in 1982) is her inside 'as it happened' story of punk, with musicians and fans speeking for themselves. Caroline Coon managed The Clash from 1978 to 1980, through the UK Sort It Out tour and the USA Pearl Harbour tour.
In 1971 Caroline Coon was one of the women to whom Germaine Greer dedicated 'The Female Eunuch'.
In the 1960's, Caroline Coon was the inspiration for Bob Dylan's song 'She Belongs To Me' and Robert Wyatt's song 'O Caroline'. In 1977 the New Musical Express stated that the Strangler's song 'London Lady' was written about Caroline Coon. In fact, the song is a woman-hating fantasy with lyrics indicative of what clinicians call 'small penis anxiety' and evidence of the sexism and misogyny that contaminates the male dominated music industry to this day. See: Caroline Coon's interview with Hugh Cornwell in '1988: The New Wave Punk Rock Explosion'.
Summer of Love: In 1967, while a student of fine art at Central St Martins College of Art, Caroline Coon founded RELEASE, the 24 hour 'underground welfare service'. The 'Peace Dove' logo that Caroline Coon designed for Release in 1967 was the Release logo until 2008. See: Chapter 13, 'The Unsung Sixties: Memories of social innovation' by Helene Curtis and Mimi Sanderson, Whiting & Birch Ltd 2004. For 'The Plight Of Release', see NEWS for October - November 2007
In 1966, Caroline Coon modelled nude for the great photographer George Harrison Marks. She starred in 'Amour', his black and white Nuevelle Vague influenced film about the emotions of two people making love.
The first painting Caroline Coon sold in 1967, aged 21, was 'My Beautiful Cunt' (1966) - her political response to pathological hatred and fear of female genitalia - to Clive Goodwin, the husband of Pop Artist Pauline Boty. 'Cuntucopia' (1970) was the first painting she exhibited, at the OZ Trial Benifit exhibition 'Ozject D'art' at the Clytie Jessop Gallery in 1971.
Political activity: Caroline Coon campaigns for international justice and human rights, especially for women. She continues to campaign to end prohibition of illegal drugs, including cannabis - bringing all illegal drugs within the law, licenced and controlled, like alcohol, nicotine and gambling. Don't Demonise Dealers, Licence Them! Caroline Coon occasionally uses cannabis for pleasure and as a medicament. She occasionaly grows her own, but has yet to find an effective organic solution to spider mite.
Education: Brunel University (PSE 1970-1972), Central St Martins College of Art (Fine Art 1965- 1967), Northampton College of Art (Fine Art Pre-diploma 1963-1965), Royal Ballet School (1955- 1961), Legat Ballet School (1950-1955).
Photography at National Portrait Gallery: http://goo.gl/EoDIC
For artworks
at Saatchi Gallery site: www.saatchionline.com/carolinecoon
